McBett
contact
  • McBett
  • seeds
  • 2020'S
    • 2022 >
      • 2022 17.03 ST PATRICK PARADE Waterford
    • 2021 >
      • 2021 01.08 THE ROOM - covidshort VIDEO ONLINE EVENT
      • 2021 HATCHETING sculpture WEXFORD
    • 2020 >
      • 2020 ongoing STITCHES
      • 2020 Diaspora
      • 2020 ongoing Beithe Deoir BioArt Garden
  • 2010's
    • 2019 >
      • 2019 08.03 Beithe Deoir MEMORIAL FOREST and ECO-ART VILLAGE
      • 2019 07.04 ALIVE WALL GARDEN GOMA WATERFORD
      • 2019 05.24 Biodiversity WEEK Beithe Deoir presentation GOMA WATERFORD
      • 2019 04.09 SEMS Rcycle Reuse WATERFORD
      • 2019 02.16 OUR BELOVED SWEETEARTH event presentation FOREST FRIENDS IRELAND SLBD NEW ROSS
    • 2018 >
      • 2018 12.13/01.13 Group Exhibition Calligh Berri Bui: Outburst WATERFORD
      • 2018 12.07 Forest Friends Ireland New Branch and art exhibition Skylon Hotel
      • 2018 10.18 GROUP EXHIBITION art and crafts WEXFORD OPERA FESTIVAL
      • 2018 09.21 ENCHAUNTER Lullabies DUBLIN CULTURE NIGHT
      • 2018 08.14 BUTTERFLY etching on copper NEW ROSS
      • 2018 05.30 WAY DOWN SOUTH (BREAK THE HEART OF ME!) sculpture DUBLIN
      • 2018 05.15 FOREST FRIENDS Launch of PEACE FOREST DUBLIN
      • 2018 03.17 Beithe Deoir ART MARKET WEXFORD
      • 2018 03.07/11 CAILITE AGUS FAIGHTE 2 / LOST & FOUND 2 Photographic installation DUBLIN
      • 2018 02.25 THE URN workshop DUBLIN ZeroWaste Festival ABC Drumcondra
    • 2017 >
      • 2017 12.17 The Back Page Market Art and Crafts DUBLIN
      • 2017 11.30 CAILITE AGUS FAIGHTE Finissage Event Ivy House DUBLIN
      • 2017 10.00 CIRCLES OF THE SUN film CORK
      • 2017 09.22 ENCHAUNTER Lullabies DUBLIN
      • 2017 08.30/12.01 CAILITE AGUS FAIGHTE solo exhibition Ivy House DUBLIN
      • 2017 08.06 DROSS EVOLUTION GALLERY Sustainable and Recycled Art and Design Collective OPENING in NAAS Co. KILDARE
      • 2017 07.02 ACCORDING TO THIS RESISTANCE VIDEO by THERESE DALTON ITALIAN FUSION FESTIVAL DUBLIN
      • 2017 06.07 ACCORDING TO THIS RESISTANCE sculpture FERRYBANK, WATERFORD
      • 2017 02.25 MARTIN SCORSESE INDUSTRY masterclass DUBLIN
      • 2017 02.12 WINDY OZ stall at FUSION SUNDAY MARKET DUBLIN
      • 2017 02.17 Bernard Show Art Market Art & Design DUBLIN
      • 2017 02.17 MUSIC OF INDIFFERENCE solo exhibition study GOMA GALLERY WATERFORD
      • 2017 01.00 BIRDHEADED MONSTER film production of script by Joseph Minion BARCELONA-DUBLIN-ROME
    • 2016 >
      • 20161028 CIRCLES OF THE SUN Film DUBLIN
      • 2016 04/10.00 WABI-SABI ceramic work in progress NEW ROSS
      • 2016 08.05 WOMEN'S LIVES MATTER installation NEW ROSS
      • 2016 07/08.00 WOODWALK video Werner Herzog Film Direction Course On Line NEW ROSS
      • 2016 07.28/31 S-KIPS 200 Screening CRUTHÙ` ARTS FESTIVAL LONGFORD
      • 2016 07.09 UNTITLED Collography SOMA CONTEMPORARY WATERFORD
      • 2016 06.12 Groups 4 Growth STREETFEAST CBS
      • 2016 04.00 Irish Drawing Circle 1 2016 04.00 Irish Drawing Circle 1 Dorothy's Book's Book
      • 2016 03.00 IRISH DRAWING CIRCLE Kiera's Book
      • 2016 o2.13 - Pressenza Athens - publication
      • 2016 02.00 IRISH DRAWING CIRCLE Kate's Book
      • 2016 01.00 IRISH DRAWING CIRCLE McBett's Book
    • 2015 >
      • 2015 11.29 sealines writ'inwater UCD
      • 2015 06.04 THE GUILLOTINE PROJECT Notes from the Kingdom ROMA
      • 2015 06.11 LA MIA IMMAGINE TI APPARTIENE exhibition graphic ROMA
      • 2015 DRAWING CIRCLES >
        • 2015 Global Drawing Circle 3 Parul's Book
        • 2015 09.00 GLOBAL DRAWINGS CIRCLE 3 Parul Gupta's book
        • 20015 05.00 IRISH DRAWING CIRCLE 1 on IRENE UHLEMANN's BOOK
        • 2015 04.00 GLOBAL DRAWING CIRCLE 3 on JIM DAWKIN's book
        • 2015 04.00 IRISH DRAWING CIRCLES 1 on Kiera O'Toole's book
        • 2015 03.00 GLOBAL DRAWING CIRCLE 3 on Marta Kot's book
        • 2015 02/03.00 IRISH DRAWING CIRCLES 1 McBett book
        • 2015 02.00 GLOBAL DRAWING CIRCLE 3 McBett Book
      • 2015 Arts Council Bill Blog
    • 2014 >
      • 2014 11.00 WALTER FACCINI article VITT & DINTORNI magazine
      • 2014 12.03 INTERNATIONAL DAY OF PERSONS ON DISABILITY Roma
      • 2014 06.30/07.07 FORUM screening/lecture NOVI SAD
      • 2014 05.03 RADIATIONS painting on body DUBLIN
      • 2014 02.14 INKBOOK n.1 painting DUBLIN
      • 2014 01.27/02.03 Carta di Lampedusa
      • 2014 SEALINES Writ' in Water >
        • Charter of Lampedusa - English Version
        • 2014 09 28 SEALINES Writ in Water project Irish Arts Council
    • 2013 >
      • 2013 11.12 Track 14 I'M GLAD TODAY IS MONDAY voice excerpt SEATTLE/DUBLIN phone call
      • 2013 10.03 ACCOGLIENZA (WELCOME) committee 3 October LAMPEDUSA
      • 2013 10.16 RADIO DUBLINO guest DUBLIN
      • 2013 09.21 LIMBO sculpture DUBLIN
      • 2013 09.00 HSP (160) act DUBLIN
      • 2013 08.25 JJ441: Fragility & Strength sculpture WATERFORD2012
      • 2013 05.23 MICROCOSMOS (Kaspar) Video Installation ROMA
      • 2013 00.00 THE SHORE Mural Restaurant La Dolce Vita DUBLIN
    • 2012 >
      • 2012 10.13 Dalla L a Dalla exhibition Teatro del Navile BOLOGNA
      • 2012 09.08 WHITEWASH Installation DUBLIN Mountjoy Sq
      • 2012 06.14/09.30 WASHING... graphic Palazzo Bentivoglio BOLOGNA SpamArt
      • 2012 06.16 WHITEWASH installation Iliocht Co. LEITRIM Festival Pause
      • 2012 06.08 - STEVE-X TRAVELS, a Memorial Gallery
    • WOM 2011/2012 >
      • 2012 08.10 WOM meets PAVEE POINT event DUBLIN
    • 2011 >
      • 2011 11.00 TEATRO VALLE OCCUPATO residence prod ROMA
      • 2011 05.00 Connected_issue51 - press DUBLIN
      • 2011 08.05/07 IMPERFECT PRESENT TENSE Installation S. MARINO Rep. SMIAF Festival
      • 2011 08.05/07 WHITEWASH Interaction SAN MARINO REP. SMIAF festival
    • 2010 >
      • 2010 11.22 THE GUARDIAN press
      • 2010 10.22/28 WHITEWASH interaction, Galerie Oberfkampf, PARIS
      • 2010 10.22/28 DCD Dublin Conversations Drawers SCULPTURE - Galerie Oberfkampf, PARIS
      • 2010 MARCO POLO Reiseführer GERMANY
      • 2010 12.15 DRAWING Dublin
  • 2000's
    • 2009 >
      • 2009 12.24 PHOOLAN DEVI Poem DUBLIN
      • 2009 CONNECTED MAGAZINE article
      • 2009 OH FRANCIS season 1: Issue 2 article By Sam Keogh
    • 2008 >
      • 2008 04.25 S-KIPS 2007 documentary DUBLIN
      • 2008 07.10/24 In/OUT YOUR WINDOW Artist in Prison scheme DUBLIN St Patrick Institute
      • 2008 11.7/9 IMPERFETTO TEMPO PRESENTE Installation TORINO
      • 2008 02.07 SKIP-S documentary ROMA
      • 2008 01.27 WHITENING WITH TRACES OF PRUSSIAN BLUE digital graphic ROMA
      • 2008 SECTIONS ballpen drawings Dublin
    • 2007 >
      • 2007/8 TEACHER adult art classes ST DOMINICK FETAC3
      • 2007 Amy Denio GAP press
      • 2007 11.10 SKIP-S Documentary TORINO
      • 2007 07.07 - 08.23 ArtProcess - Collettiva d'Arte Contemporanea TRAPANI
      • 2007 FOREST FRIENDS
    • 2006 Beckett Centenary Festival >
      • 2006 12.22 MURPHY'S ASHES Installation – Castel Sant’Angelo Roma, Italy
      • 2006 11.01 MURPHY'S ASHES Tarquinia Viterbo, Italy
      • 2006 FIGURE & GROUND graphic WOMEN COOMBE HOSPITAL DUBLIN
      • 2006 10.19/30 ALL OUT solo ROMA
      • 2006 10.14 LEAP INTO THE VOID theatre DUBLIN
      • 2006 05.13/06.30 ALL OUT solo DUBLIN WRITERS MUSEUM
    • 2005 WAY OUT solo exhibition DUBLIN >
      • 2005 STRANGE FRUIT installation DUBLIN
      • 2005 INTERNAL LANDSCAPES >
        • 2005 BEAT REST sculpture DUBLIN
        • 2005 WOMAN OF BEARE sculpture
        • 2005 ITCHI sculpture DUBLIN
        • 2000 EBB sculpture
        • 2005 FOSSIL ECHO sculpture DUBLIN
        • 2005 BROKEN HEARTH sculpture DUBLIN
        • 2005 OUTBURST sculpture
        • 2005 THAW sculpture
        • 2005 FERTILITY sculpture
        • 2005 OPEN MIND sculpture DUBLIN
      • 2005 BOUND BEINGS >
        • 2005 VOICES OF JEANNE sound installation DUBLIN
        • 2005 ODISSEO installation
        • 2005 PROMETEUS sculpture
        • 2005 MURPHY WORK IN PROGRESS scuplture+video installation DUBLIN
        • 2005 GULLIVER sculpture DUBLIN
        • 2005 ERA sculpture
        • 2005 KASPAR installation
        • 2005 SEBASTIEN sculpture >
          • 2005 12.25 fFLESH & BONES photography EU
      • 2005 THREADS video installation DUBLIN
    • 2004 >
      • 2004 10.05/10 ARTS CLUB Performance DUBLIN
    • 2003 >
      • 2003 11.03/12.28 STILL IN PROGRESS solo DUBLIN
      • 2003 07.23 face painting GARDEN PARTY FOR FAMILIES - ÁRAS AN UACHTARÁIN, DUBLIN
      • 2003 GULLIVER sculpture DUBLIN
      • 2003 01/02.00 STRANGE FRUIT press SuccoAcido #14 PALERMO
      • 2003 01.12 /02.09 MANDRAKE exhibition COLUMBUS OHIO
      • 2003 01.09 THE OTHER PAPER OHIO 09-15 article COLUMBUS
    • 2002 >
      • 2002 05.01/07.31 TRESHOLDS solo exhibition IVY HOUSE Dublin
      • 2002 05.01/08.31 THRESHOLD solo DUBLIN
      • 2002 ASTRAL TRAVEL drawing DUBLIN
      • 2002 BERLUSCONI'S MOUSTRAP Film postproduction DUBLIN
    • 2001 >
      • 2001 STRANGE FRUIT installation DUBLIN
      • 2001 11.04 SUNDAY INDEPENDENT press DUBLIN
      • 2001 06.01/07.31 SOUL OF A TREE sculpture Co. CORK
      • 2001 07/08.00 SOUL OF A TREE SSI Newsletter publication IRELAND
    • 2000 >
      • 2000 RURAL TOWN & OTHER TRIPS photography DUBLIN
      • 2000 WHITE BLOSSOM ON PADDY LALLY'S GARDEN sculpture DUBLIN
      • 2000 PIERCED sculpture IONTAS EXHIBITION SLIGO - BELFAST - LIMERICK
      • 2000 MURPHY Sculpture + video installaton DUBLIN CASTLE
  • 1990's
    • 1999 >
      • 1999 WHITE HOLE sculpture DUBLIN
      • 1999 A-GRO BA Theatre SFX
    • 1998 >
      • 1998 04.00 Painting for Restaurant AR VICOLETTO DUBLIN
      • 1998 04.00 MOVING TO DUBLIN
    • 1997 >
      • 1997 03.17 L'AMOR DI LUDMILLA Opera Production ROMA
      • 1997 11.23 AMBRAKOVSKIJ event Production ROMA Ambra Jovinelli
    • 1996 PROGETTO SHERWOOD festival production/direction ROMA City Council
    • 1995 >
      • 1995 QUAD Collective independent theatre productions ROMA Ex-Snia Viscosa
      • 1995 DISEGNI IN FUMO Installation ROMA
    • 1994 >
      • 1994 HON novel ROMA
      • 1994 06.07 I DEMONI DEL TAMBURO taiko Festival ROMA Letteratura
    • 1993 >
      • 1993 06.22/23 LA SCUOLA DEI BUFFONI theatre set ROMA
      • 1993 03.30 TOPI - a memorial
      • 1993 FIABE X 3D short tales ITALY
    • 1992 >
      • 1992 ABRAXA TEATRO Street Theatre ANAGNI ITALY
    • 1991 >
      • 1991 TROEMP L'OEIL interior design ROMA
      • 1991 TESTIMONIANZE SPARSE (SCATTERED INTERVIEWS) tales ROMA
    • 1990 >
      • 1990 L'ACQUA DEL SANGUE set design ROMA
      • 1990 CEILING interior design ROMA
      • 1990 TROEMP L'OEIL painting ROMA Linea Verde fashion shop
      • 1990 TAIKO workshop with Ondekoza ROMA
  • 1980's
    • 1988 >
      • 1988 IL SILENZIO DELLE SIRENE set decoration ROME
      • 1988 A QUALCUNO PIACE CALDO set props and decoration ROMA
    • 1986 >
      • 1986 ROMEO E GIANNINA theatre set ROMA
    • 1985 >
      • 1985 IL PRIGIONIERO (The Prisoner) Installation GENAZZANO
      • 1985 HOMAGE TO BORGES graphic ROMA
      • 1985 McBESTIARIUS tales
    • 1984 >
      • 1984 DIPLOMA Fine Art Academy in Set Design ROMA
      • 1984 09.00 M.C.ESHER e GLI SCIENZIATI DILETTANTI thesis ROMA
      • 1984 LE DEPEUPLEUR (The Lost Ones) Set Design
      • 1984 02.21 DEFORMAZIONE PROFESSIONALE exhibition ROMA Galleria L. Di Sarro
      • 1984 Study for Le Depeupleur (The lost Ones) ROMA
    • 1983
    • 1982 GRAPHIC ART Ball Pen Drawings & Collages ITALIA
  • 1970's
    • 1974 FILARMONICA ROMANA children choir ROMA
  • 1960's
    • 1967 Drawing
  • SHE-D 2006/11
    • SHE-D 3 DUBLIN Gardiner Lane >
      • 2011 @ SHE-D 3 >
        • 2011 10.27 @ SHE-D - GESTURES
        • 2011 08.19 @ SHE-D - CINEMA PARADISE
        • 2011 07.24 @ SHE-D REDMOON syzygy
        • 2011 06.10 @ SHE-D - OLTREMARA
        • 2011 02.01 @ SHE-D - DIRTY HANDS
      • 2010 @ SHE-D 3 >
        • 2010 05.30 @SHE-D - YOUNG KNOWLEDGE
    • SHE-D 2 DUBLIN Henrietta Lane >
      • 2010 @ SHE-D 2 >
        • 2010 01.28 @ THE SHED 2 reg THE HOWL INTO THE HOLE 1
      • 2009 @ THE SHED 2 >
        • 2009 10.30 @THE SHED – REPTILE CABARET
        • 2009 10.16 @THE SHED – EARTHQUACK
        • 2009-10.16 @ SHE-D 2 EARTHQUACK
        • 2009 10.17 @THE SHED – SOLUS & GUESTS: AN IRISH/ARABIAN MIX EVENING
        • 2009 10.09/10 @THESHED – TRIBAL MOVEMENT DAWN
        • 2009 10.03 @THE SHED - STRINGS
        • 2009 09.25 @THE SHED - REPTILE CABARET
        • 2009 09.18 @THE SHED - EARTHQUACK 7
        • 2009 09.12/13 @THE SHED lindy exchange dawn
        • 2009 09.11 @THE SHED - ELEVENINE
        • 2009 09.04 @THE SHED - LEMOMO
        • 2009 08.27 @THE SHED - MARS HOAX
        • 2009 08.14 @ THE SHED - WAVES
        • 2009 08.21 @THE SHED - EARTHQUACK 6
        • 2009 07.31 @THE SHED REPTILE CABARET 6
        • 2009 07.24 @THE SHED EARTHQUACK 5
        • 2009 07.14 @THE SHED - WAVES
        • 2009 07.04 @THE SHED – HUMAN MUSIC NIGHT 4 missed
        • 2009 07.03 @THE SHED – CREWGER’S NIGHT
        • 2009 06.26 @ THESHED REPTILE CABARET 5
        • 2009 06.25 @ BREAK FOR THE BORDER - HUMAN MUSIC 3
        • 2009 06.19 @ THE SHED EARTHQUACK 4
        • 2009 06.12 @ THE SHED DIVERCITY 3
        • 2009 06.06 @ THE SHED HUMAN MUSIC 2 + CREWEGER'S NIGHT 3
        • 2009 05.29 @ THE SHED REPTILE CABARET 4
        • 2009 05.23 @ THE SHED DIVERCITY 2 + WORLD IMAGES 4
        • 2009 05.22 @THE SHED - EARTHQUACK 3
        • 2009 05.17 @ THE SHED CANNADIS CHASSIDIS
        • 2009 05.10 @ THE SHED HUMAN MUSIC NIGHT 1
        • 2009 04.26 @ THE SHED DIVERCITY 1
        • 2009 04.24 @ THE SHED REPTILE CABARET 3
        • 2009 04.17 @ THE SHED EARTHQUACK
        • 2009 05.08 @ THE SHED CREWGER'S NIGHT 2
        • 2009 04.04@ THESHED CREWGER'S NIGHT 1
        • 2009 04.01 @ THESHED QUEER SPRAOI
        • 2009 03.28 @ THESHED METALDRAGON 2 - ANAXAGORAS
        • 2009 03.27 @ THESHED REPTILE CABARET 2
        • 2009 03.21 @ THESHED WORLD IMAGES 3
        • 2009 03.20 @ THESHED EARTHQUACK 1
        • 2009 03.04 @ THESHED PARADISE 8
        • 2009 02.27 @ THESHED REPTILE CABARET 1
        • 2009 02.26 @ THESHED VOICE
        • 2009 02.25 @ THESHED PARADISE 7
        • 2009 02.21 @ THESHED WORLD IMAGES 2
        • 2009 02.12 @ THESHED BANDITS
        • 2009 02.11 @ THESHED PARADISE 5
        • 2009 02.07 @ THESHED LLUZJON
        • 2009 02.04 @ THESHED PARADISE 4
        • 2009 01.30 @ THESHED CALLIOPE
        • 2009 01.28 @ THESHED PARADISE 3
        • 2009 01.24 @ THESHED WORLD IMAGES 1
        • 2009 01.21 @ THESHED PARADISE 2
        • 2009 01.14 @ THESHED PARADISE 1
        • 2009 01.04 @THE SHED - THE IRON MOUNTAIN
      • 2008 @THE SHED 2 >
        • 2008 12.14 @ THE SHED 2 mcb DAWN BRAINMELT
        • 2008 10.30 @ THE SHED 2 mcb TAFEL
        • 2008 10.12 @ THE SHED 2 mcb FOLIADA IRMANDINHA
        • 2008 10.05 @ THE SHED 2 reg SEOMRA SPRAOI 1 - HAPPY SPACES
        • 2008 09.27 @ THE SHED 2 reg SOLUS 1 - PEEK-A-BOO
        • 2008 06.28 @ THE SHED 2 mcb SEEDS
        • 2008 06.14 @ THE SHED 2 mcb VICTOR-Y
    • She-d 1 DUBLIN Foley Street >
      • 2008 @THE SHED 1 >
        • 2008 04.27 @ THE SHED 1 mcb FORMS
        • 2008 03.29 @ THE SHED 1 mcb THE LODGER
        • 2008 03.20 @ THE SHED mcb 24 A.A.'s SHILLELAGH
        • 2008 03.16 @ THE SHED 1 mcb EVERYDISCO BUT
        • 2008 03.01 @ THE SHED 1 mcb LAST VISIT
        • 2008 02.23 @ THE SHED 1 mcb VISIT
        • 2009 02.18 @ THESHED PARADISE 6
        • 2008 02.15 @ THE SHED 1 reg DESERTED VILLAGE 2
        • 2008 02.14 @ THE SHED 1 mcb ST VALENTINE'S ASHES
        • 2008 01.31-02.01 @ THE SHED 1 mcb STAMINA + WORKSHOP
        • 2008 01.19 @ THE SHED 1 mcb CHANCE
      • 2007 @THE SHED 1 >
        • 2007 12.08 @ THE SHED 1 mcb REALMS
        • 2007 12.01 @ THE SHED 1 mcb FRAGILITY
        • 2007 11.24 @ THE SHED 1 mcb PASSAGES
        • 2007 11.15 @ THE SHED 1 mcb RESISTANCE
        • 2007 09.11 @ THE SHED 1 mcb CIRCLES
        • 2007 08.14 @ THE SHED 1 mcb BLUE
        • 2007 08.03 @ THE SHED 1 mcb FLOWERS
        • 2007 07.27 @ THE SHED 1 mcb BEHIND THESE WALLS
        • 2007 07.13 @ THE SHED 1 mcb SHORES
        • 2007 06.24 @ THE SHED 1 mcb S-KIPS
        • 2007 06.17 @ THE SHED 1 mcb INTERNATIONAL PICNIC 7
        • 2007 06.10 @ THE SHED 1 mcb GATHERING WITH CINEMA
        • 2007 05.27 @ THE SHED 1 mcb IDENTITIES
        • 2007 05.20 @ THE SHED 1 mcb INTERNATIONAL PICNIC 6
        • 2007 05.17 @ THE SHED 1 mcb ZONES OF PROXIMITY
        • 2007 05.13 @ THE SHED 1 mcb HOLISTIC AFTERNOON
        • 2007 05.06 @ THE SHED 1 mcb IMPROVISING THE PIANO
        • 2007 04.29 @ THE SHED 1 mcb AN ATOMIC NARRATIVE
        • 2007 04.25 @ THE SHED 1 mcb NOTES FROM THE UNDERWORLD
        • 2007 04.15 @ THE SHED 1 mcb INTERNATIONAL PICNIC 5
        • 2007 04.03 @ THE SHED 1 reg DESERTED VILLAGE 1
        • 2007 03.18 @ THE SHED 1 mcb INTERNATIONAL PICNIC 4
        • 2007 02.18 @ THE SHED 1 mcb INTERNATIONAL PICNIC 3
        • 2006 @THE SHED 1
  • MUSIC
  • RADIO
  • material

2014 07.03 SKIPS 2007 documentary 06.30/07.07 FACK MSUV FORUM  NOVISAD

article in Dnevnik related to FACK:
http://www.dnevnik.rs/naslovi/%E2%80%9Eoslobadjanje%E2%80%9D-muzeja-kapacitet-koji-svi-dele

"Liberation" museum: Capacity all sharing 
Updated 1 day 16 hours 

Tomaž in Slovenia is here to make music, Luka from Italy as a filmmaker interested to make a kind of diary of the whole action, a local activist Alexander Bede interested in how the two institutions under one roof to cope with the new situation ...

enlarge 
Call for an end to neoliberalism 
Many others presented their reasons for coming to dozens gathered yesterday at the Museum of Contemporary Art, which will be July 6, a kind of free zone for artists and activists from around the world. 

The project is called "FAQ MSUV" and "Performing the museum as a common good," and comes from Cesena, by Branko Popovic and Nandan Kirke, who are part of the platform called ambiguous acronym F.A.C.K.. First time outside of Italy, where the "liberated" a few spaces in the public interest (theaters, cinemas, abandoned spaces), this platform has given itself the task to redefine certain aspects of contemporary culture with the dominant forms of mediation, trying to move to a model of direct participation, the so-called participation in decision-making. 

- There is no particular plan, program. We're all here to see what we will and what. Total expected forty artists - says Branko Popovic, noting eksperimentanost project. 

The first paper was almost by accident and not presented as a drawing on the wall. "The production process of art in neoliberalism" drew Vladan Jeremic, the artist known for an active attitude towards politics. The drawing is presented about the position of the artist in today's society and how they are handled. Jeremic explained how, as well as in every other business, workers exploited and culture, with the goal of efficient industrialization. This process, he said, must stop, and the drawing has two possible models - a break with the mechanisms of social pressure and a break with the ruling ideology in which creates reserve army of workers. Jeremic in the afternoon stakeholders "liberation" of museum met with the platform "Artliks" and the magazine "Artliks Gazeta", the current tendency to consider concrete strategies and ways of organizing, such as the occupation of the museum, strikes, self-organized educational projects, both locally and globally sindikalizovanje . 

- For me, there are two ideas that can be identified with the collective power to the communist and democratic ideas, but we know that both led to disastrous, at least as disappointing results. - Said the French philosopher Jacques Rancière, and quoted him in "FAQ" platform. - It is necessary to really think about what it means to the idea of ​​community-based capacity of all, it does not mean that we believe that everyone does the same, but if we think of collective equality, we think it based on the capacity that is divided among all. Of course, all forms of government as we know them are oligarchic, based on the notion that there are those who are there to govern, for the competent, there's even a science of management (by the way, what is it that you equate science with politics?). Compared to all this, we have two options: either to believe that it is good the way it is and be silent, or to think that is not good and that something else can be under a different name. The second option could be based only on the hypothesis of confidence in the capacity of intelligence that we all share. 

I. Buric
http://www.msuv.org
03 July 2014 h 23:00 NOVI SAD SERBIA
S-KIPS 2007 by McBett

The on-site documentary is produced (self-produced) along with the creation and execution of a visual art exhibition in the Museum of Kilmainham jail, in Dublin, Ireland.
The two year process is here an unplanned historical development of the Art in Context exhibition into a public execution in which the audience is witness of a unique event where artworks are judged and condamned to distruction after a trial and sentence, whose development is produced by the unforeseen reaction of the audience during the two months exhibition in 2005. 
Interviews to the general audience and to the guardians of the Museum, which is one of the main Hystorical British jails in Ireland, eventually used for more commemorative exhibitions or just for guided tours, during the period of show, as filmed in the documentary, witness the actual feed back, and lead to the real - non fictional - consequences of the Artwork to be condamned to a dead end within that specific context, as the amount of emotional feed back, mainly negative (but eventually positive, even for the sense of the provocation) was so strong to block any calculated possibility to continue to exhibit anywhere else or to replicate the exhibition in similar or other contexts, because it would have been a forced nonsense. In this way the representation of the pain or the horror became new real pain/horror, for the breach of expectancy and contrast with traditional habits of the museum. And also for y choice to lower down real, in contrast with my position of artist above the parts, which means unreal just part of a representation. Transforming then the representation into a ritual.
The exhibition pieces, sculptures and installations or video-installations, which are in fact elements for four differently titled installations (Internal landscapes - Bound Beings - Strange Fruit - Threads) of which themes run through glimpses of historical and literary Ireland and Europe, but also actuality themes like war, jail, racism and in all the subjects the main link is the tie - would be physical or metaphorical.
However, the composition of the installations, set inside the real cells of the impressive East Wing of the jail, mostly made with found, recycled materials, those materials easy to be collected around the streets of an economically explosive city, (we are in the main boom period of the so called Celtic Tiger), disturb the rethorical audience, as they can't accept such rubbish to be placed beside the shrines of the revolution heroes, forgetting the real history for the fake legend.
The target is to rediscuss the Irish rebellion and it's consequences, to examine what is today the mentality of the citizens, what is the republic, and who really died and for what.
Particularly strong is the argument on the central installation Strange Fruit, where it is evident that the cold and angry reaction of the audience generates because of the juxtaposition - for them improper and offensive - of an idea generated by Billie Holiday's song, talking of corpses of african-american hanging from trees, and the place where white irish revolutionaries had been executed. 
All this, including that the installation is made of mannequin legs - trouvès of a suddenly rich and gaspillering Ireland - and not in safe and glorious bronze, brings to a topic scandal of enormous proportion in comparation to a real war horror that just started internationally killing thousands and thousands of people in the middle east, also demonstrating that the power of who has the chance to create a media focus is enormous and ho emotions can be manipulated through simple representations.
Obviously, as revolutionaries, those who died prisoners were in their proclaims considering themselves beside all those populations struggling for independence. However they died, actually were killed, and those who set the republic after them did not certainly followed the human and justice principles promoted by these poets and dreamers, who imagine the Irish rebellion as fraternal to all others, where freedom is sought. A very common contradiction, from the centuries of the centuries... 



The whole work is McBett's dedicated project of three full years (not including about three years of preparation of the exhibition). 
Direction of documentary and performance, artworks and setting of exhibition, interviews and also direction of editing and post-production are all cured by McBett.
the documentary is printed in physical DVD with handmade covers on recycled paper envelopes.
Many collaborated to the whole process and they are listed at the end of the documentary.
It lasts 58 min and there are subtitles available in English, Italian, Spanish language.
being a work of visual art rather than film the project is presented mostly accompanied by a debate/lecture and travelled internationally in the years .
in other Visual Arts contexts.

FACK MSUV / performing the museum as a common

FACK MSUV event is taking place at the Museum of Contemporary Art of Vojvodina (MSUV) in Novi Sad (Serbia), from June 30 to July 06, 2014 (and maybe longer). 

The event is launched by the mobile art platform F.A.C.K. from Cesena (Italy) in collaboration with “liberated spaces” MACAO (Milan), Teatro Valle (Rome), SALE.Docks (Venice) and Embros Theatre (Athens) and is realized with the contribution and participation of numerous artists, curators, researchers, activist and citizens from the ex-Yu region and the rest of Europe. 


What the FACK MSUV is...

liberated space/time / FACK MSUV is an operation of temporary “liberation” of the museum (it can be conceived too as a sui generis occupation or re-appropriation) with the aim of making it open and freely accessible for use for both local and international (art) community without classical institutional filtering and control “from the top down”. The MSUV management is a party to the plan insofar as they put at participants’ disposal the museum infrastructure, and even the small portion of it’s (rather modest) program budget, without however being given in return any written project, list of participants or programme of the event. Without precise insight of what-who-how is going actually to happen – and without having in hand any written contract with the participants - the management had de facto renounced, even if only temporarily, to it’s centralised functions of planning, organising, staffing, controlling and directing. 

museum as a common / besides being critical of the way the public cultural institutions are conceived, organised and managed – reflecting the dominant social model which is representative, selective, exclusive and mostly exploitative – the FACK MSUV operation is an experiment in alternative “bottom-up” institutional model based on participation, self-organization, self-management, inclusivity and cooperation between artists, curators, scholars and attentive publics/citizens. 

the coming art(ist) / in addition to being an occasion to perform collectively the museum as a common, FACK MSUV opens up the space for more specific, and more critical, reflection on what kind of art(ist) – and therefore on what kind of art education and art institution - do we need in today’s globalised and ever more liqufied and precarious society regulated by the economical and financial interests of the very few. 

art and revolution / another important focus of the operation is to question the non-relation of the new post-Yugoslav societies and their cultural institutions with the heritage/values of the socialist revolution and the antifascist struggle in the WWII. In particular the MSUV’s non-relation with the (hi)story of the very building in which it is “temporarily” situated since 2001 (and with the building’s sole remaining original exposition room, which was recently contextualized in nationalistic key by the historical Museum of Vojvodina) - the building was actually constructed for the Museum of revolution (funded in 1956), which fell in oblivion and decay during the Yugoslav conflicts of the 1990s. 

social and cultural laboratory / during the FACK MSUV operation will take place, in and out of the museum building, different all-day activities open to public: assemblies, open debates, presentations, workshops, classes, workgroups meetings, performances, projections, site-specific interventions, concerts, cooking, resting, chess and football matches, common meals, etc. The activities will be deployed within the tripartire scheme: the “workshop” dimension - the “strike” dimension – the “fête” dimension. The intention is to transform the museum from the solely representational/exhibition space into an open laboratory for social and cultural experimentation in which ideas and practices can be horizontaly exchanged, developed and shared in the atmosphere of mutuality and solidarity. Therefore it is warmly recommended that the participants plan their permanence during the whole week of the event. 

thematic clusters/(in)disciplinary workgroups / following thematic clusters will be confronted during the event, day by day, in informal open format seminars: re-designing the museum/museum as laboratory; un-making publics; practicing multitude/new institutions of common, right to the city/culture; art and migrations/transbordering practices; European web of liberated time-spaces; de-schooling practicies/alternative (to) art education; new (cultural) economies/alternative currencies; art workers social status/new class (precariat) conscience; the coming art(ist)/artivism for the XXI century; contemporary art: a concept, a system, a market/exit from or reapropriation of the contemporary; cultural boycott/ArtLeaks; (new) autonomy of art;...(themes can be rearranged, changed, others can be added). 

All activities will be coordinated by different workgroups, some of which are already active while others are to be formed in place: architecture/urbanisam; theatre/dance/performance; film/video; sound/music; visual arts; cooking (for) art; theory/philosophy; communication/programming; unclassified stuff, etc. One can ether join one (or more) of the workgroups, or create one’s own, or do the both. Different workgroups can collaborate, merge, transform in new ones, collapse... 

equality of intelligences / FACK MSUV is a collaborative event co-created, co-curated, co-organised, co-produced, co-directed, co-performed and co-signed (with the credits in alphabetical order) by ALL participants and partnering organisations. Each one contributes to the event in different ways – investing her/his work, time, knowledge, skills, services, materials, equipment, etc - according to his/her own wishes and possibilities. Every participant makes equal use of the available infrastructure and resources in cooperation and in agreement with the others. The call for participation is open to ALL interested individuals/groups – no one is doing centralised selection of the participants, each one is rather selecting oneself for the event taking in consideration its terms and scopes and taking full responsibility for one’s own doings. Everyone is free to involve other persons into the operation, thus extending the chain of mutual trust and confidence based on the postulate of equality of intelligences. 

practicalities / the rather modest budget on disposition will be partly used to organise the accommodation, for those coming from abroad (and out of Novi Sad), and partly for the common meals in the museum. The MSUV, besides the building, put at the disposal part of it’s technical equipment and some services (some equipment/services will be provided by other local partners). However it is warmly recommended that the participants bring, as much as possible, their own equipment/materials (sleeping bags included).

For further information and to join the operation send an e-mail to: fackmsuv@gmail.com. Every participant will be provided with username/password for access to the organisational platform: http://fackmsuv.blogspot.com/. 

Or simply come in person on Monday 30. june, at 12.00 CET, for the opening assembly (or on any other day during the period of “liberaton”). 


Links:
http://www.msuv.org/ 
https://www.facebook.com/msuvns
https://www.facebook.com/events/290150461142529/https://www.facebook.com/groups/1422326548041447/ 




What the F.A.C.K. is...

F.A.C.K. is an open mobile indisciplinary collaborative transient (con)temporary platform/event, launched in 2012 in Cesena (Italy), for experimentation and research in alternative bottom-up organizational and production models for arts and culture. Self-menaged by indipendent artists, curators, researchers and technicians FACK questions, in practice and in theory, the dominant (art) system and its institutions, as well as the function of art and the role of artist within our liquid society striked by a profound structural crisis. 

F.A.C.K. stands for: Frakcija, Faktum, Forum, Festival, Fabrique / Akcija, Agora, Akademia, Arte, Act / Culture, (Con)temporary, Cantiere, Container, Comunità / Kultura, Komuna, Kazbah, and similar...


For more on F.A.C.K:
https://www.facebook.com/fackfestival
http://fackfestival.blogspot.it/


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OPEN CALL / SHJ (in progress)


OPEN CALL* 

FACK MSUV / izvođenje muzeja kao zajedničkog dobra


“Za mene postoje dve ideje koje je moguće poistovetiti sa kolektivnom moći, to su komunistička i demokratska ideja, no znamo kako su obe dovele do katastrofalnih, u najmanjoj meri razočaravajućih rezultata. Moja ideja je da ukoliko želimo da damo određeno pozitivno značenje jednoj ili drugoj reči ili obema zajedno, potrebno je zaista misliti šta znači ideja zajednice zasnovane na kapacitetu svih, što ne znači da smatramo da svi rade isto, već da ukoliko mislimo kolektiv jednakih, mislimo ga na osnovu kapaciteta koji je podeljen između svih. Naravno, sve forme vladavine koje danas poznajemo su oligarhijske, zasnovane na mišljenju da postoje oni koji su tu da vladaju, koji su za to kompetentni, postoji čak i nauka o upravljanju (uzgred, kakva je to nauka koju poistovećujemo sa politikom?). U odnosu na sve ovo imamo dve mogućnosti: ili da smatramo da je dobro tako kako je i ćutimo, ili da mislimo da nije dobro i da je nešto drugo moguće pod nekim drugim imenom. Ta druga opcija može da bude zasnovana samo na hipotezi poverenja u kapacitet inteligencije koji svi dele.” (ransijer)


What the FACK MSUV is...

FACK MSUV je kolektivna društveno-umetnička operacija privremenog “oslobađanja” Muzeja savremene umetnosti Vojvodine (MSUV) u Novom Sadu u periodu od 30. juna do 06. jula 2014. 

FACK MSUV je međunarodna akcija inicirana od strane mobilne platforme F.A.C.K. iz Čezene (Italija) u saradnji sa «oslobođenim prostorima» MACAO iz Milana, SALE.Docks iz Venecije, Teatro Valle iz Rima i Teatrom Embros iz Atine, realizovana uz doprinos i učešće brojnih umetnika, kustosa, istraživača, aktivista i građana iz ex-Yu regiona i šire. Uprava MSUV-a je saučesnik u operaciji iako praktično nema uvid u to šta, ko i kako će se desiti - nije dobila pisani projekat, niti listu učesnika, nije sklopila ugovor o saradnji sa inicijatorima - jedino što zna je da će muzej biti zauzet/korišćen (i) od strane učesnika operacije tokom datog perioda (a možda i na duže). Osim toga što je pristala na date uslove uprava je učesnicima akcije stavila na raspolaganje i manji deo svog godišnjeg programskog budžeta (Pokrajinski sekreterijat za kulturu je takođe vanredno finansijski podržao projekat).

Operacija FACK MSUV nije posebno uperena protiv MSUV-a i njegovih zaposlenika - radi se o preobrtanju i preispitivanju dominantnog centralizovanog/reprezentativnog modela javne institucije kulture i njemu odgovarajućih mehanizama kontrole, selekcije i moći koji su gotovo po pravilu u funkciji ličnih/partijskih interesa onih koji u/o njima odlučuju. U pitanju je opšti strukturni problem a ne personalni ili programski problem pojedinačne institucije - dakle it's nothing personal! Sama činjenica da je uprava MSUV-a pristala da muzej bude «oslobođen» ide u prilog tezi da osobe koje sede u javnim institucijama kulture nisu listom neprijatelji nezavisnih umetnika/udruženja (tzv. kognitivnog prekarijata) već da su najčešće i sami zarobljenici birokratskih i ideoloskih mehanizama koji u njima deluju - te stoga vape (makar i krišom ili nesvesno) za slobodom. U tom smislu ovom operacijom se ne oslobađa samo muzej od činovnika koji njime upravljaju/ raspolažu po ustaljenom modelu, koji se želi preispitati, već se i sami činovnici oslobađaju muzeja, to jest njegovih institucionalnih mehanizama, čime im se pruža prilika da participiraju u kolektivnom eksperimentu izvođenja jedne radikalno drugačije kulturne institucije - jednog novog muzeja. 

Operacijom FACK MSUV se uspostavlja privremena suspenzija atributa moći unutar javne institucije, to jest njenog hjerarhizovanog upravljčko-izvođačkog lanca (direktor, kustosi, administrativne i tehničke službe, domari, spremačice) - i time sprovodi njena de-institucionalizacija. Ne da bi se stvorila haotična, dezorganizovana situacija u kojoj svako radi šta i kako hoće - već da bi se kroz pažljivo autoregulisan i struktuisan proces participacije i kooperacije otvorio slobodan, ispražnjen prostor za kritičko kreativno preispitivanje i upisivanje. Namera je da se u praksi isproba drugačiji model (samo)upravljanja institucijama kulture - organizovan «od dole», to jest neposredno od strane umetničke i šire društvene zajednice. Ovom akcijom MSUV se transformise od prevashodno reprezentacijsko-izložbenog prostora u otvorenu laboratoriju u kojoj se izvodi svojevrsni društveni i umetnički eksperiment re-institucionalizacije muzeja koncipiranog kao zajedničko dobro (bene comune/commons).

Pored toga što će biti prilika za kolektivno izvođenje muzeja kao zajedničkog dobra, operacijom FACK MSUV se želi otvoriti prostor za šire participirano kritičko promišljanje o tome za kojom vrstom umetnika/umetnosti – a time i kakvom umetničkom edukacijom i kakvom institucijom kulture – postoji potreba u današnjem “tečnom” i globalizovanom društvu, regulisanom prevashodno interesima ekonomskih/finansijskih elita, a koje karkteriše sve izraženija socijalna nejednakost, pojačana državna kontrola i represija, rastuće ograničavanje ličnih i kolektivnih prava i sloboda.

Jedan od fokusa operacije FACK MSUV jeste i problematizacija ne-odnosa post-jugoslovenskih društava i njihovih kulturno-istorijskih institucija sa nasledstvom/vrednostima socijalističke revolucije i antifašističke borbe iz Drugog svetskog rata. Poseban osvrt je na ne-odnosu MSUV-a sa istorijatom i arhitekturom zgrade u kojoj je “privremeno” smešten od 2001, a koja je namenski projektovana (arh. Ivo Vitić) za nekadašnji Muzej [radničkog pokreta i narodne] revolucije. Namera je i da se pokrene debata o konceptu stalne postavke, kontekstualizovane u nacionalnom ključu, dela originalne zbirke Muzeja revolucije koja se još uvek nalazi u jednoj od sala zgrade (za koju je zadužen Muzej Vojvodine).

Operacijom FACK MSUV se želi preokrenuti način upotrebe muzeja od zatvorenog sakupljačko-izlagačkog prostora u otvorenu radionicu u kojoj se ideje, prakse i iskustva horizontalno razmenjuju u kontekstu zajedništva, uzajamnosti i međusobne solidarnosti. Različite aktivnosti otvorene za javnost – klasovi, radionice, plenarne sednice, radni stolovi, debate, prezentacije, projekcije, koncerti, performansi, instalacije - koje će se za vreme trajanja FACK MSUV odvijati tokom dana (i noći) u/oko zgrade muzeja, i na drugim lokacijama po gradu, raspoređene su prema tripartitnoj šemi: dimenzija “radionice” - dimenzija “štrajka” – dimenzija “fešte”. 

Predviđene su sledeće tematske zone kojima će se učesnici baviti, dan za danom, u formi za javnost otvorenih neformalnih seminara: re-designing the museum/museum as laboratory; un-making publics; practicing multitude/new institutions of common; right to the city/culture; art and migrations/transbordering practices; European web of liberated time-spaces; de-schooling practicies/alternative (to) art education; new (cultural) economies/alternative currencies; art workers social status/new class (precariat) conscience; the coming art(ist)/artivism for the XXI century; contemporary art: a concept, a system, a market/exit from or reapropriation of the contemporary; cultural boycott/ArtLeaks; (new) autonomy of art;... (teme mogu biti modifikovane, premeštane, nove dodavane) 

Sve aktivnosti su koordinisane od strane indisciplinarnih radnih grupa (radnih stolova), od kojih su neke već formirane a druge će to biti na licu mesta: arhitektura urbanizam / vizuelna umetnost instalacije; performans ples teatar / film video / zvuk muzika / teorija filozofija / komunikacija promocija / dokumentacija on-line dnevnik / umetnost kuvanja open-air kuhinja /... Moguće je uključivati se u rad jedne ili više grupa, osnivati nove. Različite grupe mogu međusobno sarađivati, stapati se u nove, rastakati se... 

Otvoreni poziv za učestvovanje u operaciji FACK MSUV je upućen SVIMA zainteresovanima koji žele da umetnički/teorijski intervenišu ili da se uključe na neki drugi način. Učesnici se biraju putem samo-selekcije, to jest po principu međusobnog poverenja u sposobnost i inteligenciju drugih – svako bira sebe i svako moze da izabere/uključi nekog drugog u čiji rad/sposobnost veruje – svako pojedinačno preuzima punu odgovornost za sopstveno delovanje tokom operacije. SVI koji uvestvuju su jednako akreditovani (abecednim redom) kao: ko-organizatori, ko-producenti i ko-izvođači operacije FACK MSUV. Nevelikim budžetom koji je na raspolaganju biće obezbeđeni zajednički obroci u muzeju, kao i smeštaj onim učesnicima koji dolaze van Novog Sada (svi učesnici pokrivaju sopstvene putne troškove). Obzirom na specifični karakter operacije toplo se preporučuje učesnicima da planiraju svoj boravak tokom cele nedelje odvijanja događaja.

Za ostale informacije, tehnikalije, komentare i uključivanje pisati na fackmsuv@gmail.com (kako bi dobili lozinku za pristup organizacionoj on-line platformi http://fackmsuv.blogspot.com/) ili doći u ponedeljak 30. juna u 12.00h na otvarajući plenarni sastanak kojim započinje operacija FACK MSUV (kao i svakog sledećeg dana u 12.00h tokom trajanja operacije).


Linkovi:

http://www.msuv.org/ 
https://www.facebook.com/msuvns

https://www.facebook.com/events/290150461142529/https://www.facebook.com/groups/1422326548041447/ 



What the F.A.C.K. is... 

F.A.C.K. je otvorena, neformalna, fleksibilna i tranziciona platforma-događaj-konceptualni instrument za istraživanje novih modela samo-organizacije, samo-upravljanja i samo-produkcije u umetnosti i šire na polju savremene kulture, pokrenuta 2012. u Čezeni (Italija). Do sada su realizovana tri fack događaja koji su podrazumevali izvođenje privremenog (od 2 dana do 3 nedelje) preuzimanja/oslobađanja nekog slabo ili problematično korišćenog javnog prostora od strane međunarodne umetničke zajednice, a u cilju isprobavanja i promišljanja jednog drugačijeg participativnog modela u kulturi, te kritičkog preispitivanja dominantnog umetničkog sistema i uloge koju umetnik zadobija u njemu. 

F.A.C.K. je fleksibilni, višejezični i višeznačni akronim koji se moze iščitavati po potrebi, želji, raspoloženju ili situaciji kao: Frakcija, Faktum, Forum, Festival, Fabrique/Akcija, Agora, Akademija, Arte, Act/Cultura, Contemporary, Cantiere, Container, Comunità/Kultura, Komuna, Kazbah i slično, ili jednostavno kao fack! svemu što nastoji da umetničko delovanje (i svaki proizvodni i vitalni proces uopšte) podredi dominantnim mehanizmima neo-liberalne ideologije, to jest interesima finansijskih, političkih i kulturnih elita (tj. logici kapitala).

F.A.C.K. je deo talasa recentnog italijanskog društveno-umetničkog fenomena tzv. "oslobodjenih prostora" nastalog 2011. zauzimanjem, od strane radnika u kulturi i umetnosti, dva napuštena javna prostora za kulturu u Rimu - Ex-Cinema Palazzo i Teatro Valle - koji su postali predmet špekulacije nekretninama rizikujući da budu privatizovani i transformisani, prvi u kockarnicu a drugi u noćni klub. Ključni momenat u genezi F.A.C.K.-a bila je akcija zauzimanja napuštenog nebodera Torre Galfa u centru Milana u proleće 2012, od strane umetničkog kolektiva MACAO i brojnog građanstva, i njegove (privremene) transformacije u novi centar za umetnost, u čemu je učestvovalo više od 1000 ljudi. F.A.C.K. je deo neformalne italijanske mreže oslobođenih prostora koju čine: Nuovo Cinema Palazzo, Teatro Valle Occupato, Angelo Mai Altrove, MAAM iz Rima; Asilo Filangeri iz Napulja, Teatro Copolla iz Katanie, Teatro Pinelli Occupato iz Mesine, Teatro Garibaldi iz Palerma, Teatro Rossi Aperto iz Pize, Nuovo Centro per le Arti MACAO iz Milana, Teatro Marinoni i S.a.L.E.Docks iz Venecije, Teatro Teramo iz Terama, Assemblea Cavallerizza 14:45 iz Torina,... (nove situacije stalno niču obzirom da svako malo biva oslobođen neki novi napušteni prostor, uglavnom bioskopi, pozorišta, kasarne ali i poneka robna kuća). 


http://fackfestival.blogspot.it/
https://www.facebook.com/fackfestival


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FACK MSUV / OPEN CALL / ITALIANO


What the FACK MSUV is...

FACK MSUV si svolgerà al Museo di Arte Contemporanea di Vojvodina (MSUV) a Novi Sad (Serbia) dal 30.06 al 06.07.2014.

L'operazione FACK MSUV consiste nell "liberare" temporaneamente il museo - trasformandolo in una zona temporaneamente autonoma - aprendolo alla comunità artistica (e non solo) locale e internazionale, mettendo l'intero fabbricato a disposizione, senza alcun filtro istituzionale di controllo e di selezione "dall'alto". La direzione e’ complice dell'iniziativa: ha accettato di rendere disponibile il museo, senza richiedere alcun progetto ne’ programma, ne’ lista partecipanti, ne’ contratto - abdicando di fatto, anche se solo temporaneamente, alla propria posizione di potere e di controllo.

Oltre ad una critica delle istituzioni pubbliche della cultura, dei loro modi di funzionamento e di gestione delle risorse comuni, del modello rappresentativo e selettivo-esclusivo, e dei criteri e valori su cui esso si basa, l'operazione FACK MSUV ha soprattutto l'intenzione di sperimentare un modello di gestione e programmazione alternativo basato sulla partecipazione, autorganizzazione, inclusione, uguaglianza e cooperazione fra artisti, curatori, studiosi e cittadini - un diverso modello d'istituzione auto-gestita "dal basso" come bene comune. Nell’ambito specifico di un’istituzione d'arte contemporanea quale MSUV, il desiderio è anche quello di proporre una riflessione ampia e condivisa riguardo a che tipo d'arte sia necessaria oggi e - di conseguenza - che tipo di museo d'arte. 

Durante la settimana dell'occupazione si terranno diverse attività aperte al pubblico: incontri, seminari, proiezioni, mostre, istallazioni, ascolti, performance, concerti, etc. Il desiderio è che il museo, oltre ad essere uno spazio aperto per la presentazione di lavori ed eventi, diventi un laboratorio aperto, dove poter sperimentare, scambiare idee e pratiche, fare nuovi incontri e esperienze, creare nuove alleanze e contagi. Per questo sarebbe positiva, se possibile, la permanenza di chi interviene durante tutta la settimana dell'evento.

Nell’attuale fase di preparazione proponiamo d’iniziare a interagire tra noi tutte/i proponendo contenuti e formati attraverso vari "tavoli di lavoro" basati su strumenti di comunicazione online, quali ad esempio: tavolo architettura/urbanismo, tavolo musica/suono, tavolo performance, tavolo cinema/video, tavolo arte culinaria, tavolo frontiere/migrazioni - FACK BORDERS, tavolo beni comuni/commons, tavolo sistemi di cattura, tavolo arte visiva, e altri. Chi decide d’intervenire puo’ prendere parte attiva sia prima che durante l'evento, contribuendo alla sua co-ideazione, co-preparazione, co-organizzazione, co-promozione, co-realizzazione, co-documentazione, invitando e coinvolgendo altre persone che ritiene interessate/interessanti. Ognuno e’ libero di partecipare, secondo un principio di auto-selezione, scelta reciproca, autovalutazione del contesto, fiducia nella capacità e nell’intelligenza di tutti; ognuno assume la responsabilità per se stesso e per il proprio lavoro. Tutti i partecipanti all'operazione FACK MSUV sono accreditati nell'ordine alfabetico come co-autori, co-produttori e co-realizzatori dell'evento. 

Per altre info e PARTECIPAZIONE scrivere a> fackmsuv@gmail.com 

[E' online il blog-piattaforma FACK MSUV per comunicazioni, interazioni, riflessioni, informazioni e coordinamento, tra chi interviene all'evento. Il blog FACK MSUV e' uno strumento per la preparazione, un contenitore visibile solo agli utenti da utilizzare e da sviluppare insieme, che serve a incontrarci virtualmente e a elaborare concetti e logistica prima di trovarci a Novi Sad. Chi desidera intervenire a FACK MSUV puo' chiedere l'accesso come lettore/creatore del blog scrivendo a fackmsuv@gmail.com]

DATE: 30 giugno – 6 luglio 2014
DOVE: MSUV - Museo di Arte Contemporanea della Vojvodina – Novi Sad - Serbia

http://www.msuv.org/ 
https://www.facebook.com/msuvns


WHAT THE F.A.C.K. is...

F.A.C.K. è una piattaforma-evento collaborativa, transdisciplinare e aperta, consistente in appuntamenti temporanei autoprodotti e autogestiti dagli artisti, teorici e tecnici partecipanti, per sperimentare e riflettere su modelli alternativi di organizzazione e produzione nelle arti contemporanee, per interrogarsi attraverso la pratica artistica e la discussione riguardo al sistema dell’arte oggi, ai cambiamenti sociali in atto, a come posizionarsi in quanto artista nella crisi trasversale attuale. Nel 2012 e 2013 sono state realizzate edizioni della durata di circa 15 giorni, che hanno incluso dibattiti, performance, concerti, laboratori, video proiezioni e mostre, con la partecipazione di artisti, e teorici italiani e stranieri.

FACK ha avuto inizio a Cesena nella primavera del 2012, anche grazie al contagio positivo delle occupazioni culturali nate di recente: lavoratori dello spettacolo e dell’arte hanno realizzato in vari centri urbani italiani una serie d'occupazioni/liberazioni di spazi pubblici, o privati, che erano stati sottratti alla cittadinanza perché lasciati all'abbandono e/o destinati alla speculazione immobiliare, li hanno restituiti ad una funzione pubblica sperimentando modalita’ aperte e partecipate nell’organizzazione delle attivita’. 

F.A.C.K. è un acronimo variabile e multilingue che, secondo la necessità, il desiderio o il contesto, sta per: Forum di Arte e Cultura Kontemporanea - oppure per Faktum, Fabbrica, Forum, Festival / Azione, Agora, Autonomia, Act, Arte, Agon / Cultura, Contemporary, Casa, Container, Comunità / Kultura, Komuna, Kazbah – ma anche semplicemente per fack! a tutto quello che cerca di sottomettere l'agire artistico (e l'agire umano in generale) ad un'ideologia che rispecchia gli interessi di gruppi ristretti e chiusi, delle odierne elites economiche, politiche e culturali. 

FACK è un fenomeno trans-territoriale e transnazionale, un contenitore temporaneo e transitivo creato di volta in volta da chi interviene, un minimo denominatore comune – una forza mobile e variabile. FACK è uno strumento concettuale e organizzativo/produttivo - accessibile a tutti gli interessati - con cui si possono realizzare degli eventi specifici in formati, formazioni, tempi e luoghi disparati. FACK non è un collettivo o gruppo fisso, non è una associazione, non è un "progetto" ne’ un manifesto, non è un festival ne’ una mostra. FACK si forma, de/forma e riforma con ogni singola iniziativa-evento, che a sua volta può adottare il formato "festival", "mostra", "dibattito", "performance", etc, oppure crearne combinazioni diverse, o farne a meno, o inventare formati inediti... Quello che delinea l'identità del FACK sono le specifiche modalità organizzative-produttive-partecipative che adotta, le questioni a cui si richiama chi lo attraversa, lo desidera, lo usa, lo nutre, lo sviluppa... 

FACK
https://www.facebook.com/fackfestival
http://fackfestival.blogspot.it/
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